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home·artworks·The Unwrit Dogma
The Unwrit Dogma by N.C. Wyeth

plate no. 1507

The Unwrit Dogma

N.C. Wyeth, 1917

oil, canvasRealismillustrationfigurestabletea setinteriorclothingshadows
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering and subtle value changes. It also provides practice in rendering textures and fabrics with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the table.

  2. step 02

    Block in the main color areas for the background, figures' clothing, and the table using thinned paint.

  3. step 03

    Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and textures.

  5. step 05

    Paint the tea set, focusing on the reflections and highlights.

  6. step 06

    Refine the background and add details to the architectural elements.

  7. step 07

    Add final details and highlights to the figures' faces and hands.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · ivory black

Mix skin tones using yellow ochre, burnt umber, and a touch of cadmium red, adjusting with white for highlights and ultramarine blue for shadows. Achieve the blues by mixing ultramarine with white and a touch of black. Greens are viridian with yellow ochre and white.

techniques

  • ·portrait painting
  • ·layering
  • ·color mixing
  • ·blending
  • ·impasto

common pitfalls

  • →Over-blending skin tones, resulting in a flat appearance.
  • →Incorrect proportions of figures.
  • →Ignoring subtle value changes.
  • →Getting bogged down in details too early.
  • →Not paying attention to the light source and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·odorless mineral spirits
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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