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home·artworks·The Umbrella
The Umbrella by Marie Bashkirtseff

plate no. 3184

The Umbrella

Marie Bashkirtseff, 1883

oilRealismportraitportraitfigureumbrellaclothinggirlrain
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and using a limited palette to create depth and form. It also provides practice in depicting textures and rendering a convincing umbrella shape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, umbrella, and background.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Begin blocking in the main areas of color, focusing on the darks of the umbrella and clothing.

  4. step 04

    Develop the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add texture to the umbrella and clothing using visible brushstrokes.

  7. step 07

    Adjust the background to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · burnt sienna · cadmium red light

Achieve the skin tones by mixing white, raw umber, and small amounts of burnt sienna and cadmium red. Use ivory black and raw umber for the umbrella, lightening with white for highlights.

techniques

  • ·portrait painting
  • ·limited palette
  • ·scumbling
  • ·dry brushing
  • ·value study

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to establish a strong value structure early on.
  • →Ignoring the subtle color variations in the face.
  • →Making the umbrella too uniform in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial value study.

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oil painting for beginners →how to learn by studying the masters →
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