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home·artworks·The Triumph of Mordechai
The Triumph of Mordechai by Pieter Lastman

plate no. 7371

The Triumph of Mordechai

Pieter Lastman

oilBaroquereligious paintingfigureshorsesarchitectureprocessioncityscapesoldiers
experienced study

Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as creating depth through atmospheric perspective and value control. It also provides practice in capturing the texture of different materials.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the large areas of light and shadow.

  3. step 03

    Develop the figures, starting with the central figures of Mordechai and his attendant, paying attention to anatomical accuracy and drapery folds.

  4. step 04

    Add details to the architecture, including the columns, statues, and buildings in the background.

  5. step 05

    Work on the crowd of soldiers and onlookers, simplifying details and using loose brushstrokes to create a sense of depth.

  6. step 06

    Refine the highlights and shadows to create a sense of volume and dimension.

  7. step 07

    Add final details, such as the patterns on the clothing and the textures of the horse's coat.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the warm, earthy tones by mixing burnt umber, raw sienna, and yellow ochre. Use ivory black and titanium white to create a range of values, and add small amounts of cadmium red and ultramarine blue to create subtle color variations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Getting lost in the complexity of the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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