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home·artworks·The Penitent Magdalen (Vanitas)
The Penitent Magdalen (Vanitas) by Jusepe de Ribera

plate no. 9780

The Penitent Magdalen (Vanitas)

Jusepe de Ribera

oil, canvasTenebrismreligious paintingfigureskullportraitreligiousdraperytenebrism
experienced study

Recreating this painting will develop skills in portraiture, particularly capturing subtle facial expressions and the fall of light and shadow. It also provides practice in rendering realistic textures like skin, fabric, and bone.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown.

  2. step 02

    Lightly sketch the main shapes: the figure's head, shoulders, hand, and the skull.

  3. step 03

    Establish the darkest shadows using a thin wash of burnt umber and black.

  4. step 04

    Begin layering in the mid-tones, focusing on the planes of the face and skull.

  5. step 05

    Introduce highlights gradually, mixing white with small amounts of yellow ochre and red for the skin.

  6. step 06

    Define the drapery with loose, visible brushstrokes, paying attention to the folds and highlights.

  7. step 07

    Refine the details of the face, especially the eyes and mouth, to capture the expression.

  8. step 08

    Add final glazes to unify the colors and deepen the shadows.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows, and add small amounts of red or yellow to warm or cool the tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·tenebrism

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not capturing the subtle nuances of the facial expression.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

A canvas with a smooth weave is recommended for achieving the subtle blending in this painting.

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