apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Tower of the Palazzo Del Podestà
The Tower of the Palazzo Del Podestà by Giuseppe Abbati

plate no. 8687

The Tower of the Palazzo Del Podestà

Giuseppe Abbati, 1865

oil, panelRealismcityscapearchitecturetowerbuildingcityscapefigurescaffolding
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict architectural details with loose brushstrokes. It also provides practice in capturing the effects of light and shadow on various surfaces.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the tower, scaffolding, and surrounding architecture, focusing on proportions and perspective.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall value structure.

  3. step 03

    Begin building up layers of paint, focusing on the brickwork and the details of the tower.

  4. step 04

    Use thicker paint and visible brushstrokes to create texture and dimension in the foreground elements.

  5. step 05

    Pay attention to the light source and how it affects the colors and values of the scene.

  6. step 06

    Refine the details of the tower and scaffolding, adding highlights and shadows to create depth.

  7. step 07

    Add the figure, paying attention to its proportions and placement within the scene.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and balanced composition.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · raw sienna

Mix various shades of brown and beige by combining yellow ochre, burnt umber, and white. Use small amounts of blue to create cooler shadows and atmospheric effects.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Getting lost in the details too early
  • →Ignoring the overall value structure
  • →Using colors that are too saturated
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy