
plate no. 4615
Barent Fabritius, 1664
Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in mixing subtle color variations and achieving a sense of light and shadow.
technical profile
approach — 8 steps
Lightly sketch the main figures and the table, paying attention to proportions and placement.
Establish the background with broad strokes, focusing on the overall tone and atmospheric perspective.
Block in the main colors of the figures' clothing and skin tones, using a limited palette.
Begin to refine the figures, adding details to the faces, hands, and drapery.
Work on the angel's wings, using layers of paint to create texture and depth.
Add highlights and shadows to create form and volume.
Refine the background details, such as the trees and foliage.
Add final details and glazes to unify the painting and enhance the colors.
color palette
primary · burnt umber · raw sienna · titanium white · cadmium red
secondary · yellow ochre · ultramarine blue · ivory black
Achieve the warm, earthy tones by mixing burnt umber, raw sienna, and yellow ochre with white. Use small amounts of ultramarine blue and ivory black to create shadows and cool tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne