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The three angels at Abraham's by Barent Fabritius

plate no. 4615

The three angels at Abraham's

Barent Fabritius, 1664

panel, oilBaroquereligious paintingfiguresangellandscapetablereligioustree
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in mixing subtle color variations and achieving a sense of light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the table, paying attention to proportions and placement.

  2. step 02

    Establish the background with broad strokes, focusing on the overall tone and atmospheric perspective.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, using a limited palette.

  4. step 04

    Begin to refine the figures, adding details to the faces, hands, and drapery.

  5. step 05

    Work on the angel's wings, using layers of paint to create texture and depth.

  6. step 06

    Add highlights and shadows to create form and volume.

  7. step 07

    Refine the background details, such as the trees and foliage.

  8. step 08

    Add final details and glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · ivory black

Achieve the warm, earthy tones by mixing burnt umber, raw sienna, and yellow ochre with white. Use small amounts of ultramarine blue and ivory black to create shadows and cool tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Using colors that are too saturated or bright.
  • →Ignoring the atmospheric perspective in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, yellow ochre, ultramarine blue, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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