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home·artworks·The Thames, Basildon, Berkshire
The Thames, Basildon, Berkshire by William Sidney Cooper

plate no. 0010

The Thames, Basildon, Berkshire

William Sidney Cooper, 1882

oilRealismlandscapelandscaperivercowstreeswater liliessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. Students will also learn to create depth using subtle value and color changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, river, trees, and cows.

  2. step 02

    Establish the sky with a thin wash of muted blues and grays, blending smoothly.

  3. step 03

    Block in the distant hills and trees using varying shades of green and brown, paying attention to atmospheric perspective.

  4. step 04

    Paint the river with horizontal strokes, capturing the reflections of the sky and surrounding landscape.

  5. step 05

    Add the lily pads and flowers in the foreground, varying their size and shape.

  6. step 06

    Roughly block in the cows, paying attention to their proportions and placement.

  7. step 07

    Refine the details of the trees, adding branches and foliage with varied brushstrokes.

  8. step 08

    Add final highlights and shadows to the cows and lily pads to create depth and dimension.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing complementary colors and adding white. Use raw umber and Prussian blue to create a range of grays and greens. Add yellow ochre to warm up the greens and browns.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the distant landscape, losing the sense of depth.
  • →Making the reflections too sharp and defined, instead of soft and blurred.
  • →Using colors that are too bright and saturated, disrupting the overall harmony.
  • →Not paying attention to the subtle value changes in the water and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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