apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Terrace of the Trafalgar Tavern Greenwich London
The Terrace of the Trafalgar Tavern Greenwich London by James Tissot

plate no. 3862

The Terrace of the Trafalgar Tavern Greenwich London

James Tissot

oil, panelRealismgenre paintingfiguresbuildingwaterskyarchitectureships
some experience helpful

Recreating this painting will help students develop skills in rendering figures in period clothing and capturing atmospheric perspective to create depth. It also provides practice in painting architectural details and reflections in water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the main architectural elements.

  2. step 02

    Block in the large areas of color, starting with the sky and water.

  3. step 03

    Establish the values of the building and figures, paying attention to light and shadow.

  4. step 04

    Begin adding details to the building, such as windows and architectural ornaments.

  5. step 05

    Refine the figures, focusing on their clothing and facial features.

  6. step 06

    Paint the details of the terrace and the ships in the background.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow light

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use ultramarine blue and burnt sienna to create various shades of gray for the building and sky.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering fabric
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details of the building.
  • →Failing to create a sense of depth.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy