apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Temptation of St Anthony Abbot
The Temptation of St Anthony Abbot by Annibale Carracci

plate no. 2945

The Temptation of St Anthony Abbot

Annibale Carracci, 1597

oilBaroquereligious paintingfiguredemonslandscapecloudslionbook
experienced study

Recreating this painting will help students develop skills in rendering complex figures, dramatic lighting, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting a range of textures, from fur to skin to rock.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and landscape elements.

  2. step 02

    Establish the dark background tones using burnt umber and black.

  3. step 03

    Block in the main areas of color for the figures, lion, and clouds.

  4. step 04

    Develop the form of the figures with careful attention to light and shadow.

  5. step 05

    Add details to the faces and expressions of the figures.

  6. step 06

    Render the textures of the fur, skin, and rock with varied brushstrokes.

  7. step 07

    Refine the highlights and shadows to create a sense of drama.

  8. step 08

    Add final details to the landscape and sky.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve the skin tones by mixing burnt umber, raw sienna, and white, with small amounts of red and yellow for warmth. The dark tones are created by mixing burnt umber and black. The sky is achieved by mixing white and blue.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →getting lost in the details too early
  • →flattening the forms with even lighting
  • →inaccurate proportions of the figures
  • →muddying the colors by over-mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne