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The Teacher by Gerrit Dou

plate no. 2166

The Teacher

Gerrit Dou, 1645

oil, panelBaroquegenre paintingteacherstudentsclassroomfiguresbooksinterior
experienced study

Recreating this painting will help students develop skills in chiaroscuro, portraiture, and rendering textures like fabric and skin. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown or gray.

  2. step 02

    Lightly sketch the main figures and objects, paying attention to proportions and placement.

  3. step 03

    Block in the darkest areas using a dark brown or black.

  4. step 04

    Establish the light source and begin to build up the highlights on the teacher's face, hands, and the students' faces.

  5. step 05

    Gradually add mid-tones and refine the forms, blending carefully to create smooth transitions.

  6. step 06

    Work on the details of the clothing, books, and other objects, paying attention to texture and form.

  7. step 07

    Add the background elements, keeping them darker and less detailed to push them back in space.

  8. step 08

    Refine the overall composition and make any necessary adjustments to values and colors.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Achieve the skin tones by mixing white, umber, and a touch of red. Darken colors with black or umber, and lighten with white. Use thin glazes of color to build up depth and richness.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

A smooth canvas surface will be helpful for blending. Consider using a pre-toned canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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