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home·artworks·The Supper at Emmaus
The Supper at Emmaus by Jan Cossiers

plate no. 4412

The Supper at Emmaus

Jan Cossiers

canvasBaroquereligious paintingfigurestablefoodreligious sceneinteriorbread
experienced study

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as understanding chiaroscuro and creating depth through value and color variations. Students will also learn to depict textures of different materials.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Develop the background and establish the light source.

  4. step 04

    Begin to refine the figures, paying attention to anatomical accuracy and facial expressions.

  5. step 05

    Add details to the clothing and objects on the table, such as the bread, wine, and plates.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ivory black · ultramarine blue

Achieve the warm, earthy tones by mixing burnt umber and raw sienna with varying amounts of white. Use small amounts of ultramarine blue to create cooler shadows and grays.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or flat lighting.
  • →Lack of attention to detail in the clothing and objects.
  • →Muddy or dull colors.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, yellow ochre, ivory black, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

chiaroscuro →how to learn by studying the masters →
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