
plate no. 1661
Frank W. Benson, 1919
Recreating this painting will help students develop skills in capturing light and shadow on a figure, as well as creating soft, diffused edges with visible brushstrokes. It also provides practice in mixing subtle color variations to depict form and atmosphere.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the figure, window, and background.
Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.
Block in the large areas of color, focusing on the light and shadow patterns.
Begin refining the figure's form, paying attention to the subtle shifts in color and value.
Develop the background details, such as the window and the wall, using loose brushstrokes.
Add highlights to the figure and the fabric to create a sense of depth and dimension.
Refine the details of the face and hands, but avoid overworking them.
Add final touches and adjust the overall composition as needed.
color palette
primary · titanium white · yellow ochre · raw umber · burnt sienna
secondary · ultramarine blue · viridian green · alizarin crimson
Achieve the warm, luminous tones by mixing white with small amounts of yellow ochre, raw umber, and burnt sienna. Use ultramarine blue and viridian green to create the cool tones in the window and background. Add alizarin crimson to warm up the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.
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