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home·artworks·The Summer (Ruth and Boaz)
The Summer (Ruth and Boaz) by Nicolas Poussin

plate no. 3811

The Summer (Ruth and Boaz)

Nicolas Poussin, 1664

oil, canvasClassicismreligious paintingfiguresfieldtreeslandscapeskyarchitecture
experienced study

Recreating this painting will help students develop skills in layering, atmospheric perspective, and rendering complex figures within a landscape. It also provides practice in creating a sense of depth and scale.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and compositional elements.

  2. step 02

    Establish the horizon line and the basic layout of the landscape.

  3. step 03

    Block in the sky and distant mountains with thin washes of color.

  4. step 04

    Paint the field, gradually building up layers of color to create depth and texture.

  5. step 05

    Add the trees and figures, paying attention to their proportions and placement.

  6. step 06

    Refine the details of the figures' clothing and facial features.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Glaze over the entire painting to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · raw sienna

Achieve the golden tones of the field by mixing yellow ochre, raw sienna, and a touch of burnt umber. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth. Create greens by mixing ultramarine blue and yellow ochre or viridian green.

techniques

  • ·layering
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·color mixing

common pitfalls

  • →overworking the details too early
  • →not establishing a clear value structure
  • →inaccurate proportions of figures
  • →muddying the colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, cadmium red, viridian green, raw sienna)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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