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home·artworks·Landscape with Water Mill
Landscape with Water Mill by Claude Lorrain

plate no. 7643

Landscape with Water Mill

Claude Lorrain, 1648

oil, canvasClassicismgenre paintinglandscapetreesfigureswaterbuildingssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering complex foliage. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major elements like trees, buildings, and water.

  2. step 02

    Establish the sky with a light blue wash, blending towards the horizon.

  3. step 03

    Block in the distant landscape with muted colors, paying attention to atmospheric perspective.

  4. step 04

    Paint the large trees on either side, layering darker tones for shadows and lighter tones for highlights.

  5. step 05

    Add the buildings and water mill, focusing on their shapes and tonal values.

  6. step 06

    Introduce the figures in the foreground, using simple shapes and colors.

  7. step 07

    Refine the details of the foliage, adding texture with dry brush techniques.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium red light · sap green

Achieve muted greens by mixing yellow ochre with ultramarine blue and a touch of burnt umber. Create atmospheric perspective by lightening colors with white and adding a touch of blue as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brush
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking details in the background
  • →Using colors that are too saturated
  • →Ignoring the effects of light and shadow
  • →Creating flat, lifeless foliage

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

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