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home·artworks·Landscape with Diogenes
Landscape with Diogenes by Nicolas Poussin

plate no. 9256

Landscape with Diogenes

Nicolas Poussin, 1647

oil, canvasClassicismhistory paintinglandscapefigurestreesriverbuildingssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, river, buildings, and figures.

  2. step 02

    Establish the sky with a light blue base, adding subtle variations in tone for clouds.

  3. step 03

    Block in the distant landscape elements, using lighter and cooler colors to create atmospheric perspective.

  4. step 04

    Paint the middle ground, focusing on the trees and foliage, using a variety of greens and browns.

  5. step 05

    Develop the foreground with darker, richer colors, adding details to the figures and vegetation.

  6. step 06

    Refine the details of the buildings and figures, paying attention to light and shadow.

  7. step 07

    Add highlights to the water and foliage to create a sense of depth and realism.

  8. step 08

    Glaze over certain areas to unify the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · raw sienna · ivory black

Mix greens by combining blues and yellows with touches of brown. Achieve atmospheric perspective by adding white to colors for distant elements. Use glazes of burnt umber and raw sienna to create depth and warmth.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·glazing
  • ·scumbling
  • ·rendering figures

common pitfalls

  • →Failing to create a sense of depth through atmospheric perspective.
  • →Overworking the details in the foreground, making it appear flat.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Neglecting the importance of light and shadow in defining form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ivory black oil paint

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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