apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Baptism of Christ
The Baptism of Christ by Jacques Stella

plate no. 2301

The Baptism of Christ

Jacques Stella

oilClassicismreligious paintingfiguresangelscloudswaterreligious scenesky
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in mixing subtle skin tones and depicting complex compositions with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background, including the sky and clouds.

  3. step 03

    Roughly sketch the figures, paying attention to proportions and anatomy.

  4. step 04

    Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Develop the drapery folds and colors, using a combination of blending and sharp edges.

  6. step 06

    Refine the details of the faces and hands, focusing on accurate rendering of features.

  7. step 07

    Add the final details, such as the water reflections and the dove.

  8. step 08

    Glaze the painting to unify the colors and create a sense of depth.

color palette

primary · titanium white · cadmium red · ultramarine blue · yellow ochre

secondary · burnt umber · raw sienna · alizarin crimson · viridian

Mix skin tones by blending white, yellow ochre, cadmium red, and a touch of burnt umber. Achieve the cloud colors by mixing white with small amounts of blue and yellow ochre. Use glazes of alizarin crimson and ultramarine blue to create depth in the shadows.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·skin tone mixing

common pitfalls

  • →Incorrect proportions of figures
  • →Over-blending of skin tones
  • →Flat or lifeless drapery
  • →Ignoring atmospheric perspective
  • →Muddy color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for layering paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Landscape with Shepherds  - The Pont Molle

Landscape with Shepherds - The Pont Molle

Claude Lorrain

Presentation of Christ in the Temple

Presentation of Christ in the Temple

Simon Vouet

Landscape with the Funeral of Phocion

Landscape with the Funeral of Phocion

Nicolas Poussin

Confirmation

Confirmation

Nicolas Poussin

Landscape with Diogenes

Landscape with Diogenes

Nicolas Poussin

Madonna with child and st. John the baptist

Madonna with child and st. John the baptist

Jacques Stella

Landscape with Water Mill

Landscape with Water Mill

Claude Lorrain

The pilgrims of Emmaus

The pilgrims of Emmaus

Jacques Stella