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The Student by Mykola Yaroshenko

plate no. 7727

The Student

Mykola Yaroshenko, 1881

oil, canvasRealismportraitportraitfigurehatclothingmanface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating depth with a limited color palette. It also provides practice in layering and blending to achieve subtle tonal variations.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare your canvas with a neutral ground.

  2. step 02

    Lightly sketch the basic shapes and proportions of the figure, hat, and background.

  3. step 03

    Block in the darkest areas of the painting with a mix of black and burnt umber.

  4. step 04

    Establish the mid-tones in the background using a mix of raw umber and white.

  5. step 05

    Begin to develop the facial features, paying close attention to the highlights and shadows.

  6. step 06

    Refine the details of the clothing and hat, adding texture with dry brush techniques.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to the face and clothing.

color palette

primary · black · raw umber · burnt umber · titanium white

secondary · yellow ochre · raw sienna

Achieve the skin tones by mixing white, yellow ochre, and a touch of burnt umber. Darken shadows with burnt umber and black. Use raw umber and white for the background, adjusting the ratio for lighter and darker areas.

techniques

  • ·underpainting
  • ·layering
  • ·blending
  • ·dry brushing
  • ·value studies

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in details too early.
  • →Ignoring the overall composition and focal point.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: black, raw umber, burnt umber, titanium white
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A toned canvas can help establish the mid-tones more easily.

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oil painting for beginners →how to learn by studying the masters →
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