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home·artworks·The storm on Ofen
The storm on Ofen by August von Pettenkofen

plate no. 6363

The storm on Ofen

August von Pettenkofen, 1849

lithographyRealismlandscapecastlebattlesoldiershillsidesmokesky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in creating a sense of depth and movement using value and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the major shapes: the castle, the hillside, and the general placement of the figures.

  2. step 02

    Establish the darkest and lightest values to create a strong foundation for the composition.

  3. step 03

    Block in the basic tones of the sky and the hillside, paying attention to the atmospheric perspective (lighter and less defined in the distance).

  4. step 04

    Start adding details to the castle, focusing on the shapes of the windows and the texture of the stone.

  5. step 05

    Begin rendering the figures, starting with the larger shapes and gradually adding details.

  6. step 06

    Use dry brush techniques to create texture on the hillside and to suggest the smoke and dust of the battle.

  7. step 07

    Refine the values and details throughout the painting, paying attention to the overall balance and harmony.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · raw umber · ivory black · titanium white

secondary · burnt sienna · yellow ochre

Mix various shades of gray by combining ivory black and titanium white. Use raw umber and burnt sienna to add warmth to the shadows and create earth tones.

techniques

  • ·dry brushing
  • ·atmospheric perspective
  • ·value studies
  • ·scumbling
  • ·rendering figures

common pitfalls

  • →getting lost in the details too early
  • →flattening the perspective
  • →overworking the painting
  • →inconsistent values

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette knife
  • ·linseed oil

optional

  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·medium gloss
  • ·palette

Use a canvas with a medium texture to facilitate dry brushing. Consider using a toned canvas to speed up the painting process.

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