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The Storm by Jules Breton

plate no. 4693

The Storm

Jules Breton, 1853

oil, canvasRealismlandscapelandscaperivertreesrocksanimalstorm
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering light and shadow in a landscape. It also provides practice in capturing the movement of water and the texture of rocks and foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, rocks, and trees.

  2. step 02

    Establish the dark background tones using a mix of blues, greens, and browns.

  3. step 03

    Block in the main shapes of the rocks and the animal with lighter tones, paying attention to the light source.

  4. step 04

    Begin layering the foliage, using darker greens and browns for the shadows and lighter greens for the highlights.

  5. step 05

    Add details to the river, using white and light blue to create the effect of moving water.

  6. step 06

    Refine the details of the rocks, adding texture and highlights to create a sense of depth.

  7. step 07

    Add the animal figure, paying attention to its anatomy and movement.

  8. step 08

    Adjust the overall values and colors to create a sense of atmosphere and depth.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · sap green · raw sienna

Achieve the dark greens by mixing ultramarine blue and burnt umber with a touch of yellow ochre. Lighten these mixtures with titanium white for highlights.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value structure.
  • →Overworking the details too early in the process.
  • →Not creating enough contrast between light and shadow.
  • →Ignoring atmospheric perspective, making distant objects too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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