plate no. 3594
The Stoning of St. Stephen
Adam Elsheimer, 1605
advanced study
Recreating this painting would develop skills in figure drawing, drapery, and creating atmospheric perspective in a complex scene. Students will also learn to mix subtle color gradations and manage a large composition.
technical profile
palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1
study guide
est. 40 hrsapproach — 8 steps
- step 01
Create a preliminary sketch to map out the main figures and compositional elements.
- step 02
Establish the background landscape and sky, focusing on atmospheric perspective.
- step 03
Block in the main figures with basic shapes and values.
- step 04
Develop the drapery and clothing details, paying attention to folds and highlights.
- step 05
Refine the facial features and expressions of the figures.
- step 06
Add details to the architecture and landscape elements.
- step 07
Introduce the cherubs and cloud formations in the sky.
- step 08
Apply final glazes and highlights to enhance depth and luminosity.
color palette
primary · ultramarine blue · raw umber · yellow ochre · titanium white
secondary · burnt sienna · cadmium red · ivory black
Achieve the muted tones by mixing complementary colors and using thin glazes. Create depth by layering cool blues and grays in the background.
techniques
- ·glazing
- ·scumbling
- ·chiaroscuro
- ·atmospheric perspective
- ·figure drawing
common pitfalls
- →getting lost in the details too early
- →overworking the colors
- →inaccurate proportions of figures
- →lack of depth in the landscape
materials
surface · stretched canvas
required
- ·stretched canvas
- ·oil paints
- ·linseed oil
- ·turpentine
- ·assorted brushes (round, flat, filbert)
- ·palette
- ·palette knife
optional
- ·retouch varnish
- ·medium gloss
- ·painting easel
Use high-quality oil paints for best results. Consider using a toned canvas to establish a mid-tone value.
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