apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The stone bridge
The stone bridge by Adriaen van de Velde

plate no. 9764

The stone bridge

Adriaen van de Velde, 1672

oil, panelBaroquecityscapebridgetreesbuildingwaterskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in creating realistic textures for stone and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the bridge, building, and trees.

  2. step 02

    Establish the sky and water with broad washes of color.

  3. step 03

    Block in the main shapes of the building and trees, paying attention to their values.

  4. step 04

    Begin adding details to the bridge and building, focusing on the stonework and architectural elements.

  5. step 05

    Develop the foliage of the trees, using layers of color to create depth and texture.

  6. step 06

    Add the figures and other details to the foreground.

  7. step 07

    Refine the reflections in the water, using subtle variations in color and value.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna · ivory black

Achieve the subtle variations in the sky and water by mixing small amounts of blue, yellow, and white. Use burnt sienna and raw umber for the warm tones of the bridge and building. Add black to darken shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Making the colors too saturated.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne