
plate no. 7159
Thomas Dewing, 1880
Recreating this painting will help students develop skills in portraiture, rendering fabric and textures, and creating a sense of depth through subtle value changes. It also provides practice in depicting complex objects like the spinning wheel.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main shapes: the figure, chair, and spinning wheel.
Establish the background with a thin wash of green and brown, varying the tones to create depth.
Block in the basic shapes of the figure and clothing with their local colors.
Start refining the figure's features, paying attention to the subtle highlights and shadows on the face.
Work on the details of the dress, using layering and blending to create the folds and textures.
Carefully render the spinning wheel, focusing on its intricate structure and the play of light and shadow.
Add the fur texture on the chair, using short, broken brushstrokes.
Make final adjustments to the values and colors to unify the painting.
color palette
primary · burnt sienna · raw umber · titanium white · sap green
secondary · alizarin crimson · yellow ochre
Achieve the flesh tones by mixing burnt sienna, titanium white, and a touch of alizarin crimson. The dress color can be created by mixing burnt sienna with a bit of alizarin crimson and white. The background is a mix of sap green, raw umber, and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail. Consider using a toned canvas to help establish the initial values.
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