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home·artworks·The Spinner
The Spinner by Thomas Dewing

plate no. 7159

The Spinner

Thomas Dewing, 1880

oilRealismgenre paintingfigurespinning wheeldresschairfurbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabric and textures, and creating a sense of depth through subtle value changes. It also provides practice in depicting complex objects like the spinning wheel.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, chair, and spinning wheel.

  2. step 02

    Establish the background with a thin wash of green and brown, varying the tones to create depth.

  3. step 03

    Block in the basic shapes of the figure and clothing with their local colors.

  4. step 04

    Start refining the figure's features, paying attention to the subtle highlights and shadows on the face.

  5. step 05

    Work on the details of the dress, using layering and blending to create the folds and textures.

  6. step 06

    Carefully render the spinning wheel, focusing on its intricate structure and the play of light and shadow.

  7. step 07

    Add the fur texture on the chair, using short, broken brushstrokes.

  8. step 08

    Make final adjustments to the values and colors to unify the painting.

color palette

primary · burnt sienna · raw umber · titanium white · sap green

secondary · alizarin crimson · yellow ochre

Achieve the flesh tones by mixing burnt sienna, titanium white, and a touch of alizarin crimson. The dress color can be created by mixing burnt sienna with a bit of alizarin crimson and white. The background is a mix of sap green, raw umber, and white.

techniques

  • ·portrait painting
  • ·fabric rendering
  • ·blending
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figure.
  • →Getting the colors of the dress too flat.
  • →Ignoring the subtle color variations in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail. Consider using a toned canvas to help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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