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home·artworks·The soup eaters
The soup eaters by Alexandre Antigna

plate no. 9800

The soup eaters

Alexandre Antigna

oil, canvasRealismgenre paintingfiguresinteriorfamilyfireplacepotsclothing
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and capturing the textures of clothing and stone. It's a good exercise in understanding tonal values and creating a sense of depth through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main elements of the interior.

  2. step 02

    Establish the overall tonal values with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the figures' clothing and the surrounding environment, paying attention to the light source.

  4. step 04

    Start building up the details of the faces and hands, using subtle color variations to create form.

  5. step 05

    Add texture to the clothing and the stone walls using dry brush techniques.

  6. step 06

    Refine the details of the fireplace and the pots, paying attention to the highlights and shadows.

  7. step 07

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · alizarin crimson · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth colors with black and white. Use small amounts of alizarin crimson and ultramarine blue to create subtle color variations in the shadows and highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brush
  • ·tonal painting
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear light source.
  • →Losing the overall tonal harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a canvas with a medium texture to allow for better blending and layering of colors. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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