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home·artworks·The soul in pain
The soul in pain by Francesco Ribalta

plate no. 5974

The soul in pain

Francesco Ribalta

oilBaroquereligious paintingfigureportraitreligiousfireemotionhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and conveying emotion through facial expressions. It also provides practice in depicting light and shadow to create depth and drama.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic outline of the figure, focusing on proportions and pose.

  2. step 02

    Establish the background with broad strokes of dark reds and browns, suggesting the flames.

  3. step 03

    Block in the main areas of light and shadow on the face and body using a limited palette.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle gradations of tone.

  5. step 05

    Add details to the hair, using a smaller brush to create individual strands and curls.

  6. step 06

    Develop the flames further, adding highlights and shadows to create a sense of movement.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ivory black

Achieve skin tones by mixing white, sienna, and a touch of red. Use burnt umber and black for shadows, and add white for highlights. Mix red and umber for the flames, varying the proportions for different shades.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle transitions between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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