apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Song of the Shepherd
The Song of the Shepherd by Pierre Puvis de Chavannes

plate no. 6673

The Song of the Shepherd

Pierre Puvis de Chavannes, 1891

oil, canvasSymbolismgenre paintingfigureslandscapemountainsskyclassicalwater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting with muted colors. It also provides practice in creating a sense of depth and space through color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the major landscape elements.

  2. step 02

    Establish the background with broad washes of blue and gray for the sky and mountains, paying attention to atmospheric perspective.

  3. step 03

    Block in the main colors of the figures, using a limited palette of earth tones and muted colors.

  4. step 04

    Refine the shapes and forms of the figures, paying attention to anatomy and drapery.

  5. step 05

    Add details to the landscape, such as rocks, vegetation, and water.

  6. step 06

    Develop the shadows and highlights to create a sense of depth and volume.

  7. step 07

    Glaze thin layers of color to unify the painting and create subtle color variations.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ivory black

Mix muted blues and grays for the sky and mountains by combining ultramarine blue, raw umber, and white. Create flesh tones by mixing yellow ochre, burnt sienna, and white, with small amounts of blue or green for shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·figure drawing
  • ·color mixing

common pitfalls

  • →Overworking the details too early
  • →Using colors that are too bright or saturated
  • →Ignoring the importance of atmospheric perspective
  • →Incorrect proportions of the figures
  • →Uneven color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull