apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Smoker
The Smoker by Georgios Jakobides

plate no. 4241

The Smoker

Georgios Jakobides, 1886

oilRealismportraitfigureportraitboypipechairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding light and shadow to create depth and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the chair.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the background with thin washes of color, gradually building up depth and texture.

  4. step 04

    Paint the figure's skin tones, paying close attention to the subtle variations in color and value.

  5. step 05

    Add details to the clothing, hat, and pipe, using thicker paint and more defined brushstrokes.

  6. step 06

    Refine the facial features, capturing the expression and likeness of the subject.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the painting.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use yellow ochre and cadmium red light to add warmth to the skin tones and clothing.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy