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home·artworks·The Sleeping Officer
The Sleeping Officer by Jacob Ochtervelt

plate no. 8321

The Sleeping Officer

Jacob Ochtervelt

oilBaroquegenre paintingfiguresinteriortableclothingpaintingofficer
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and drapery, as well as understanding the use of chiaroscuro to create depth and drama.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and areas of color using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of highlight and shadow.

  4. step 04

    Develop the details of the figures, including the facial features, clothing, and hands.

  5. step 05

    Refine the drapery and textures of the fabrics, paying attention to the way the light interacts with the folds.

  6. step 06

    Add the details of the background and surrounding objects, such as the table and the painting on the wall.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · yellow ochre · ivory black

secondary · burnt sienna · titanium white · ultramarine blue

Achieve the warm skin tones by mixing yellow ochre, burnt sienna, and a touch of white. Use raw umber and ivory black to create the dark shadows and background tones. Mix ultramarine blue with white to create the cooler tones in the tablecloth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to establish a strong light source.
  • →Overworking the details too early in the process.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of raw umber before beginning to paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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