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home·artworks·The Sitwell Family
The Sitwell Family by John Singer Sargent

plate no. 8385

The Sitwell Family

John Singer Sargent, 1900

oil, canvasRealismportraitfiguresportraitinteriorfamilytablechildren
experienced study

Recreating this painting will help students develop skills in portraiture, capturing light and shadow on figures, and creating depth through atmospheric perspective. It will also provide practice in rendering fabric and textures with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background, paying attention to the subtle variations in tone and color.

  4. step 04

    Start refining the figures, focusing on capturing the likeness and proportions.

  5. step 05

    Work on the details of the clothing and accessories, using loose brushstrokes to suggest texture.

  6. step 06

    Pay close attention to the light and shadow, using highlights and shadows to create depth and form.

  7. step 07

    Refine the details and add finishing touches, such as highlights in the eyes and details in the background.

  8. step 08

    Step back and assess the overall effect, making any necessary adjustments.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ultramarine blue

Achieve the subtle skin tones by mixing white with small amounts of burnt umber, cadmium red, and yellow ochre. Create the dark background by mixing ivory black and burnt umber, adding small amounts of ultramarine blue for depth.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the loose, painterly feel.
  • →Failing to capture the subtle variations in tone and color.
  • →Not paying enough attention to the light and shadow.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 24x36 inches) is recommended.

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