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The sick woman by Noè Bordignon

plate no. 3624

The sick woman

Noè Bordignon

oil, canvasRealismgenre paintingfiguresbedinteriorclothingmedicineillness
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as understanding subtle color variations to create a somber mood. It also provides practice in creating a focal point through composition and light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the bed, paying attention to proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the background and then the figures' clothing and skin tones.

  3. step 03

    Begin refining the shapes of the figures, focusing on accurate anatomy and facial expressions.

  4. step 04

    Add details to the clothing, such as folds and wrinkles, using lighter and darker values to create depth.

  5. step 05

    Work on the bedsheets, using a variety of white and off-white tones to create a sense of texture and volume.

  6. step 06

    Refine the background details, such as the paintings on the wall and the window.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic painting.

color palette

primary · ivory black · raw umber · titanium white · prussian blue

secondary · yellow ochre · burnt sienna · alizarin crimson

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Create the blue dress by mixing prussian blue and ivory black. Use raw umber and ivory black for the darker areas and shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of light and shadow.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle nuances of color and value.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, prussian blue, yellow ochre, burnt sienna, alizarin crimson)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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