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home·artworks·The Shores of Rydal Water, Cumbria
The Shores of Rydal Water, Cumbria by David Bates

plate no. 7924

The Shores of Rydal Water, Cumbria

David Bates

oilRealismlandscapetreeswaterskylandscapegrassboat
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as rendering realistic textures using varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, shoreline, and water.

  2. step 02

    Block in the sky with a thin wash of grey and beige tones.

  3. step 03

    Establish the dark masses of the distant trees and the reflections in the water.

  4. step 04

    Paint the main trees, focusing on their form and the light hitting their trunks.

  5. step 05

    Add the details of the foliage, using a variety of greens, browns, and yellows.

  6. step 06

    Paint the foreground grass and reeds, using dry brush techniques to create texture.

  7. step 07

    Add the figures in the boat, keeping them small and indistinct.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · sap green · burnt sienna · ultramarine blue

Mix various shades of green by combining yellow ochre, sap green, and ultramarine blue. Use raw umber and titanium white to create the grey tones for the sky and water. Add small amounts of burnt sienna to warm up the greens and browns.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much pure color and not enough muted tones.
  • →Failing to create a sense of depth by not varying the values and colors.
  • →Making the foreground too detailed and distracting from the focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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