apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Sheepfold, Moonlight
The Sheepfold, Moonlight by Jean-Francois Millet

plate no. 6736

The Sheepfold, Moonlight

Jean-Francois Millet

oil, panelRealismlandscapesheepmoonlightlandscapeshepherdfencenight
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, subtle value gradations, and creating a sense of depth using a limited color palette. It also provides practice in depicting soft, diffused light.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the position of the moon, the sheepfold, and the figures.

  2. step 02

    Establish the overall dark values of the sky and foreground using a thin wash of dark blue or gray.

  3. step 03

    Block in the moon with a light yellow or orange, blending it softly into the surrounding sky.

  4. step 04

    Begin to define the shapes of the sheep with darker values, paying attention to the direction of light.

  5. step 05

    Add details to the fence and the shepherd, using thin lines and subtle variations in tone.

  6. step 06

    Refine the highlights on the sheep and the fence, using a lighter value of the base color.

  7. step 07

    Add subtle color variations to the sky and foreground to create a sense of atmosphere.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · raw sienna · titanium white

Mix the sky colors by blending ultramarine blue with white and a touch of burnt umber. Use yellow ochre and white for the moon, and burnt umber for the darker areas of the sheep and fence.

techniques

  • ·atmospheric perspective
  • ·value study
  • ·soft blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast, which can make the painting look harsh.
  • →Using too many colors, which can create a muddy effect.
  • →Not paying attention to the direction of light, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a canvas with a smooth surface to facilitate blending. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy