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home·artworks·The Sentry
The Sentry by Carel Fabritius

plate no. 8331

The Sentry

Carel Fabritius, 1654

oil, canvasBaroquegenre paintingfiguredogarchitecturebuildingweaponinterior
some experience helpful

Recreating this painting will help students understand how to depict figures in a realistic setting with accurate proportions and lighting, as well as how to create depth using atmospheric perspective and tonal values.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, dog, and architectural elements.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the large shapes with thin washes of color, starting with the background.

  4. step 04

    Develop the figure, paying attention to the folds of the clothing and the details of the face and hands.

  5. step 05

    Add details to the architectural elements, such as the texture of the stone and the details of the carvings.

  6. step 06

    Paint the dog, focusing on its form and the way the light falls on its fur.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · Prussian blue · cadmium yellow light

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use raw umber and ivory black to create a range of grays and browns.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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