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home·artworks·The Senses of Hearing, Touch and Taste
The Senses of Hearing, Touch and Taste by Jan Brueghel the Elder

plate no. 7822

The Senses of Hearing, Touch and Taste

Jan Brueghel the Elder

oilBaroquegenre paintingfiguresstill lifearchitecturelandscapeinteriortable
advanced study

Recreating this painting would help students develop skills in rendering complex compositions, depicting various textures, and understanding atmospheric perspective. It also provides practice in painting figures and still life elements within an elaborate setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 60 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the overall composition and placement of major elements.

  2. step 02

    Establish the background, focusing on the atmospheric perspective of the landscape seen through the arches.

  3. step 03

    Block in the main figures and the table setting with basic shapes and colors.

  4. step 04

    Develop the details of the still life elements on the table and foreground, paying attention to textures and light.

  5. step 05

    Refine the figures, adding details to their clothing and facial features.

  6. step 06

    Work on the interior details, including the paintings on the wall and the architectural elements.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Make final adjustments to color and value to unify the composition.

color palette

primary · red · brown · white · blue

secondary · gold · green · gray · ochre

Achieve the rich, warm tones by mixing browns with reds and yellows. Use white to create highlights and lighter shades. Mix blues and greens to depict the landscape and foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·rendering fabrics
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and space.
  • →Overworking the details and losing the freshness of the painting.
  • →Inaccurate proportions of figures and objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·variety of brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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