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home·artworks·The seamstresses
The seamstresses by Armando Montaner Valdueza

plate no. 2238

The seamstresses

Armando Montaner Valdueza

oilRealismgenre paintingfiguresinteriorchairsclothingdomestic scenesewing
some experience helpful

Recreating this painting will help students understand how to depict figures in a realistic setting with subtle lighting and how to create depth through layering and atmospheric perspective. It also provides practice in rendering textures of different fabrics and materials.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and key objects.

  2. step 02

    Establish the background tones with thin washes of color, paying attention to the subtle variations in the wall and floor.

  3. step 03

    Block in the main shapes of the figures and their clothing, using simplified color masses.

  4. step 04

    Develop the details of the faces, hands, and other focal points, refining the shapes and adding highlights and shadows.

  5. step 05

    Add details to the clothing, chairs, and other objects, focusing on texture and form.

  6. step 06

    Refine the lighting and shadows throughout the painting, creating a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to enhance the realism and visual interest.

  8. step 08

    Glaze with thin layers to unify the colors and create a cohesive look.

color palette

primary · raw umber · ivory black · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · cadmium red light

Achieve the subtle variations in the wall and floor by mixing raw umber, yellow ochre, and white. Create the blue of the dress by mixing Prussian blue with white and a touch of raw umber to tone it down. Use burnt sienna and cadmium red light for the red accents.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Ignoring the subtle color variations in the background
  • →Creating too much contrast, resulting in a harsh look
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (raw umber, ivory black, titanium white, Prussian blue, yellow ochre, burnt sienna, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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