apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Scythers
The Scythers by N.C. Wyeth

plate no. 7634

The Scythers

N.C. Wyeth, 1908

oil, canvasRealismgenre paintingfiguresfieldlandscapeskystraw hatsscythe
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and understanding the effects of light and shadow on form. It also provides practice in creating depth through atmospheric perspective and color temperature changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Establish the main value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the large areas of color, such as the sky, field, and figures' clothing.

  4. step 04

    Begin refining the figures, paying attention to the light and shadow patterns on their forms.

  5. step 05

    Develop the details of the field, using broken color to create texture and depth.

  6. step 06

    Add the details of the straw hats and scythes, using precise brushstrokes.

  7. step 07

    Refine the background landscape, using softer edges and muted colors to create atmospheric perspective.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · titanium white · viridian green

Achieve the warm, earthy tones by mixing burnt sienna with yellow ochre and a touch of red. Use ultramarine blue and white to create the cool, atmospheric sky. Mix greens with yellow ochre and ultramarine blue, adjusting the ratio for different shades.

techniques

  • ·underpainting
  • ·broken color
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details in the field, resulting in a flat, lifeless texture.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in an unnatural look.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: Yellow Ochre, Burnt Sienna, Ultramarine Blue, Titanium White, Cadmium Red, Viridian Green
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (alkyd)

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy