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home·artworks·The scribe
The scribe by Vincenzo Migliaro

plate no. 1580

The scribe

Vincenzo Migliaro

oil, canvasRealismgenre paintingfiguresarchitectureinteriorclothingmarketreading
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a believable space and understanding how to use a limited palette to create a sense of atmosphere. It also offers practice in capturing the texture of different materials with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and placement.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Refine the shapes of the figures and architectural elements.

  4. step 04

    Add details to the faces and clothing, using smaller brushstrokes.

  5. step 05

    Develop the background, suggesting the market scene with loose strokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the edges of the forms to create a sense of realism.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre

Mix raw umber and white for the cool grays of the architecture and floor. Use burnt sienna and white for warmer tones in the figures and clothing. Add small amounts of cadmium red to burnt sienna to achieve the red in the woman's jacket.

techniques

  • ·blocking in
  • ·dry brush blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using too many colors and creating a muddy effect
  • →Ignoring the importance of edges

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A medium-textured canvas will work well for this painting. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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