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home·artworks·The Royal Hunt of Dido and Aeneas
The Royal Hunt of Dido and Aeneas by Francesco Solimena

plate no. 9436

The Royal Hunt of Dido and Aeneas

Francesco Solimena

oil, canvasBaroquemythological paintingfigurescloudsmythologypeacockangelslandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, creating dynamic compositions, and understanding chiaroscuro. It also provides practice in rendering drapery and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and compositional elements.

  2. step 02

    Establish the dark background tones using thin washes of dark browns and blues.

  3. step 03

    Block in the main figures with simplified shapes and values, focusing on accurate proportions.

  4. step 04

    Develop the light areas of the figures, gradually building up highlights and mid-tones.

  5. step 05

    Refine the details of the faces, drapery, and accessories, paying attention to subtle color variations.

  6. step 06

    Add the smaller figures and details in the background, using softer edges and less detail.

  7. step 07

    Paint the clouds and atmospheric effects, blending the edges to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the drama and create a sense of realism.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · burnt sienna

Achieve the flesh tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Use raw umber and ivory black to create the dark shadows and background tones. Mix ultramarine blue and burnt sienna for the darker blues and browns.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in the figures.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (raw umber, ivory black, titanium white, yellow ochre, cadmium red, ultramarine blue, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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