apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Royal Coronation Ceremony of H.M. King George VI
The Royal Coronation Ceremony of H.M. King George VI by Fortunino Matania

plate no. 5913

The Royal Coronation Ceremony of H.M. King George VI

Fortunino Matania, 1937

oilRealismillustrationfiguresarchitectureceremonycrownrobesinterior
experienced study

Recreating this painting will help students develop skills in depicting complex architectural details and rendering realistic figures with varied textures in clothing. It also provides practice in managing a complex composition with many elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the overall structure of the architecture.

  2. step 02

    Block in the main color areas, starting with the background and then moving to the foreground figures.

  3. step 03

    Develop the architectural details, paying attention to the perspective and the play of light and shadow.

  4. step 04

    Refine the figures, adding details to their faces, clothing, and accessories.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Work on the intricate patterns and textures of the robes and other fabrics.

  7. step 07

    Adjust the overall color balance and contrast to create a harmonious and visually appealing image.

color palette

primary · gold · red · ivory · gray

secondary · blue · brown · ochre

Achieve the gold tones by mixing yellow ochre, burnt sienna, and a touch of white. Create the ivory shades by mixing titanium white with small amounts of yellow ochre and burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·rendering

common pitfalls

  • →Getting lost in the details too early.
  • →Incorrect perspective on the architecture.
  • →Overworking the figures and losing the freshness of the brushstrokes.
  • →Inaccurate color mixing, leading to a muddy or dull palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (18x24 or 20x24) would be appropriate for this subject.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy