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home·artworks·The Roman Forum
The Roman Forum by Ippolito Caffi

plate no. 5512

The Roman Forum

Ippolito Caffi, 1857

oil, canvasRealismcityscapearchitectureruinscityscapeskyfigurescolumns
some experience helpful

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering architectural details with subtle color variations. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural forms, paying attention to perspective.

  2. step 02

    Block in the sky with a light blue wash, adding subtle variations in tone.

  3. step 03

    Establish the basic values of the buildings and ruins using a limited palette of earth tones.

  4. step 04

    Begin adding details to the architectural elements, focusing on light and shadow.

  5. step 05

    Paint the figures, keeping them simple and in proportion to the surroundings.

  6. step 06

    Add details to the foreground, including the road and any vegetation.

  7. step 07

    Refine the colors and values throughout the painting, creating a sense of depth.

  8. step 08

    Add final highlights and details to enhance the overall realism.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · ivory black

Mix various shades of brown and gray by combining raw umber, burnt sienna, and ivory black with white. Use cerulean blue and white for the sky, adding a touch of yellow ochre for warmth near the horizon.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong, leading to distorted architectural forms.
  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Using colors that are too saturated, creating a jarring effect.
  • →Ignoring the effects of light and shadow, making the painting appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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