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home·artworks·The Roman Campagna
The Roman Campagna by Claude Lorrain

plate no. 7623

The Roman Campagna

Claude Lorrain, 1639

oilClassicismlandscapelandscapetreeswaterskyanimalsarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering foliage and creating a sense of light and shadow.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, main trees, and architectural elements.

  2. step 02

    Establish the sky with a gradient from light blue at the horizon to a slightly darker blue overhead.

  3. step 03

    Block in the distant hills and water using muted blues and greens, paying attention to atmospheric perspective.

  4. step 04

    Paint the main trees and foliage, starting with darker values and gradually adding highlights.

  5. step 05

    Add the architectural elements, focusing on their form and how they interact with the light.

  6. step 06

    Paint the foreground elements, including the animals and figures, using a range of browns and grays.

  7. step 07

    Refine the details and add highlights to create a sense of realism.

  8. step 08

    Glaze the painting to unify the colors and create a sense of depth.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · sap green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of depth.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes
  • ·flat brushes
  • ·palette knife
  • ·palette

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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