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home·artworks·The Riva degli Schiavoni
The Riva degli Schiavoni by Canaletto

plate no. 7036

The Riva degli Schiavoni

Canaletto, 1730

oil, canvasBaroquecityscapecityscapewaterboatsbuildingsskyfigures
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details. It also provides practice in depicting figures in a believable scale within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like buildings and boats.

  2. step 02

    Establish the sky with a light blue base, gradually adding variations in tone and soft cloud formations.

  3. step 03

    Block in the large shapes of the buildings using a mix of earth tones, paying attention to the light and shadow.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky and buildings.

  5. step 05

    Add the boats, starting with the larger vessels and then the smaller gondolas, focusing on their shapes and reflections.

  6. step 06

    Refine the architectural details of the buildings, adding windows, doors, and other features.

  7. step 07

    Paint the figures on the waterfront, using small brushstrokes and varying colors to create a sense of depth.

  8. step 08

    Add final highlights and details to the entire painting, paying attention to the overall balance and harmony.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium yellow light

Mix ultramarine blue and white for the sky, adding small amounts of raw umber for darker areas. Use raw umber, yellow ochre, and burnt sienna for the buildings, varying the proportions to create different shades of brown. Mix black and white for the boats.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·rendering details

common pitfalls

  • →Incorrect perspective leading to distorted buildings
  • →Overly bright or saturated colors
  • →Lack of tonal variation making the painting flat
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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