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home·artworks·The Reverend Canon Boyce
The Reverend Canon Boyce by Julian Ashton

plate no. 7008

The Reverend Canon Boyce

Julian Ashton, 1917

oilRealismportraitportraitfiguremanclerical collarchairdark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering form through subtle value changes. It also provides practice in creating a sense of depth and atmosphere with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair, paying attention to the overall composition.

  2. step 02

    Establish the darkest and lightest values to create a value map.

  3. step 03

    Block in the large areas of color, focusing on the background and the figure's clothing.

  4. step 04

    Begin to refine the facial features, paying close attention to the highlights and shadows.

  5. step 05

    Develop the details of the hands and clothing, adding subtle variations in color and texture.

  6. step 06

    Refine the edges of the forms to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and assess the overall effect, making any necessary adjustments.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · yellow ochre · cadmium red light

Mix various shades of gray and brown by combining black, umber, white, and small amounts of red or yellow. Use white to lighten values and create highlights. Use thin glazes to create depth and subtle color variations.

techniques

  • ·value studies
  • ·glazing
  • ·dry brushing
  • ·portrait drawing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using too much color
  • →Ignoring the subtle variations in tone

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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