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home·artworks·The Return of the Prodigal Son
The Return of the Prodigal Son by Rembrandt van Rijn

plate no. 0559

The Return of the Prodigal Son

Rembrandt van Rijn, 1669

oilBaroquegenre paintingfiguresrobesinteriordramatic lightingemotional scenebiblical
experienced study

This painting would teach advanced chiaroscuro techniques and how to create emotional depth through dramatic light-dark contrasts. Students would develop skills in figure painting, fabric rendering, and creating narrative through gesture and composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a detailed charcoal drawing establishing the composition and major light/dark areas

  2. step 02

    Block in the darkest shadow areas using burnt umber mixed with raw umber

  3. step 03

    Establish the warm middle tones using burnt sienna and raw umber mixtures

  4. step 04

    Paint the illuminated areas with warm flesh tones and golden ochres

  5. step 05

    Develop the red robes using cadmium red mixed with burnt sienna for shadows

  6. step 06

    Refine facial features and hands with careful attention to light direction

  7. step 07

    Add subtle reflected lights in shadow areas

  8. step 08

    Final glazing to unify the color harmony and deepen shadows

color palette

primary · burnt umber · raw umber · cadmium red · yellow ochre

secondary · burnt sienna · titanium white · raw sienna · vandyke brown

Achieve warm flesh tones by mixing yellow ochre with tiny amounts of cadmium red and white. Create rich darks by mixing burnt umber with raw umber, avoiding pure black.

techniques

  • ·chiaroscuro lighting
  • ·glazing
  • ·scumbling
  • ·impasto for highlights
  • ·soft edge blending

common pitfalls

  • →overworking the shadow areas
  • →making highlights too bright too early
  • →losing the overall value pattern
  • →rushing the drawing stage

materials

surface · primed canvas with warm ground tone

required

  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#6 flat brush
  • ·#2 round brush
  • ·palette knife
  • ·stretched canvas 20x24

optional

  • ·painting medium
  • ·vandyke brown
  • ·#10 flat brush
  • ·blending brush

A warm-toned ground helps establish the overall golden color harmony typical of Baroque paintings

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related guides

oil painting for beginners →chiaroscuro →paint like rembrandt →how to learn by studying the masters →
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