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home·artworks·The return home
The return home by George Elgar Hicks

plate no. 2378

The return home

George Elgar Hicks, 1873

oil, canvasRealismgenre paintingfiguresflowersinteriorclothinghairchildren
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and creating soft, diffused lighting effects. It also provides practice in depicting complex textures like hair and fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major shapes.

  2. step 02

    Establish the background with thin washes of brown and ochre, building up layers to create depth.

  3. step 03

    Block in the main colors of the figures' clothing and skin, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture and movement.

  6. step 06

    Paint the flowers, using a variety of colors and brushstrokes to capture their delicate forms.

  7. step 07

    Refine the details and add highlights and shadows to create a sense of depth and realism.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · yellow ochre · titanium white · alizarin crimson

secondary · ultramarine blue · cadmium yellow · sap green

Mix various shades of brown and ochre for the background and shadows. Use white to lighten the skin tones and add highlights. Create the flower colors by mixing the primary and secondary colors.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, alizarin crimson, ultramarine blue, cadmium yellow, sap green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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