apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The return from mass
The return from mass by Cristiano Banti

plate no. 1591

The return from mass

Cristiano Banti, 1865

oil, panelRealismgenre paintingfigureslandscapeskyclothingvillagepath
some experience helpful

Recreating this painting will help students develop skills in rendering figures in light and shadow, and in creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations to depict clothing and skin tones.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the sky and distant landscape.

  3. step 03

    Establish the basic values and colors of the figures' clothing, paying attention to the light source.

  4. step 04

    Refine the shapes and details of the figures, including their faces and hands.

  5. step 05

    Add highlights and shadows to create form and dimension.

  6. step 06

    Develop the texture of the ground and other details in the foreground.

  7. step 07

    Adjust the overall color harmony and value relationships.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · titanium white · cadmium red

secondary · yellow ochre · ivory black

Mix various shades of blue and white for the sky. Use burnt sienna and white for the ground, adding touches of yellow ochre for warmth. Mix red and black for the darker clothing, and red and white for lighter shades.

techniques

  • ·blocking in
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Not paying attention to the light source and its effect on the colors and values.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy