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home·artworks·The rest of the rider
The rest of the rider by Le Nain brothers

plate no. 4855

The rest of the rider

Le Nain brothers

oilBaroquegenre paintingfigureslandscapehorsedogsheepclouds
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly rendering skin tones and clothing folds, and in creating atmospheric perspective in landscapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures and landscape elements.

  2. step 02

    Establish the background with thin washes of color, focusing on the sky and distant fields.

  3. step 03

    Block in the main shapes of the figures and animals with simplified color masses.

  4. step 04

    Begin refining the figures, adding details to the faces, clothing, and hair.

  5. step 05

    Develop the landscape further, adding details to the trees, fields, and buildings.

  6. step 06

    Refine the light and shadow, creating depth and volume in the figures and landscape.

  7. step 07

    Add final details, such as highlights, textures, and small details in the faces and clothing.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values.

color palette

primary · raw umber · yellow ochre · ivory black · titanium white

secondary · burnt sienna · ultramarine blue · sap green

Mix various shades of brown and green by combining raw umber, yellow ochre, ivory black, and ultramarine blue. Use white to lighten values and create highlights. Burnt sienna can be used to add warmth to skin tones and landscape elements.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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