apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Rescue
The Rescue by Maurice Poirson

plate no. 2071

The Rescue

Maurice Poirson

oil, canvasRealismgenre paintingfiguresbeachwavesskyboatdog
experienced study

Recreating this painting will help students develop skills in figure drawing, dynamic composition, and creating atmospheric perspective. It also provides practice in rendering realistic textures like water, sand, and clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light and shadow patterns.

  3. step 03

    Block in the main colors of the sky, sea, and beach, using broad strokes.

  4. step 04

    Start refining the figures, focusing on their anatomy, clothing, and facial features.

  5. step 05

    Add details to the waves, creating a sense of movement and depth.

  6. step 06

    Work on the details of the beach, including the wet sand and reflections.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details, such as highlights and shadows, to create a sense of realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ivory black

Mix blues and browns with white to create the various tones of the sky and sea. Use yellow ochre and raw sienna to create the warm tones of the sand. Add small amounts of black to darken colors and create shadows.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of figures
  • →Flat or lifeless waves
  • →Muddy colors
  • →Lack of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy