apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Red School House
The Red School House by Winslow Homer

plate no. 8841

The Red School House

Winslow Homer, 1873

oilRealismportraitfiguredressbuildingskytreesportrait
some experience helpful

Recreating this painting will help students practice portraiture, capturing light and shadow, and rendering fabric textures, particularly stripes. It also provides an opportunity to study atmospheric perspective and simplified background elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the schoolhouse.

  2. step 02

    Establish the background sky with blended warm tones, creating a sunset effect.

  3. step 03

    Block in the main shapes of the figure, the dress, and the hat, using light and shadow to define form.

  4. step 04

    Add the stripes to the dress, paying attention to how they follow the contours of the body.

  5. step 05

    Paint the details of the face, focusing on capturing the likeness and expression.

  6. step 06

    Develop the background elements, such as the schoolhouse and trees, with simplified shapes and colors.

  7. step 07

    Add details to the hat and the black bow, capturing their textures and patterns.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ivory black · cadmium red · ultramarine blue

Mix various shades of yellow ochre and burnt sienna with white to achieve the warm tones of the sky and the dress. Use black and blue to create the dark accents and shadows.

techniques

  • ·blending
  • ·scumbling
  • ·layering
  • ·portraiture
  • ·rendering stripes

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Making the stripes too uniform and flat.
  • →Overworking the details of the face.
  • →Failing to capture the atmospheric perspective in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-textured canvas to allow for some visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy