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home·artworks·The Ray of Sunlight
The Ray of Sunlight by Jacob van Ruisdael

plate no. 3958

The Ray of Sunlight

Jacob van Ruisdael, 1660

oil, canvasBaroquelandscapelandscapecloudshillswaterarchitecturefigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex cloud formations. Students will also learn to create depth through layering and value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the horizon line and major landforms.

  2. step 02

    Block in the sky with light blues and grays, focusing on the cloud shapes and their shadows.

  3. step 03

    Establish the distant hills with muted greens and browns, using lighter values to create atmospheric perspective.

  4. step 04

    Paint the middle ground, adding details like the buildings and windmill.

  5. step 05

    Block in the foreground with darker browns and greens, adding texture to the rocks and vegetation.

  6. step 06

    Add the water, reflecting the sky and surrounding landscape.

  7. step 07

    Introduce figures and animals to add life and scale to the scene.

  8. step 08

    Refine details and adjust values to create a sense of depth and realism.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium yellow light

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use raw umber and burnt sienna for the earth tones, adjusting the values with white and black. Create greens by mixing blues and yellows, muting them with raw umber.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details in the distant areas
  • →Creating too much contrast in the background
  • →Using colors that are too saturated
  • →Ignoring the subtle value changes in the clouds

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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