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home·artworks·The Raising of the Cross
The Raising of the Cross by Giulio Cesare Procaccini

plate no. 7853

The Raising of the Cross

Giulio Cesare Procaccini, 1620

oilBaroquereligious paintingfigurescrucifixionreligious scenecrossdraperyanatomy
experienced study

Recreating this painting will help students develop skills in dramatic lighting (chiaroscuro), figure drawing, and rendering complex drapery. It also provides practice in creating a dynamic and emotional composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main areas of light and shadow using thin washes of color.

  3. step 03

    Start refining the anatomical details of the figures, paying close attention to muscle structure and form.

  4. step 04

    Develop the drapery, focusing on the folds and how they interact with the light.

  5. step 05

    Build up layers of color to create depth and dimension, using glazes and scumbles.

  6. step 06

    Refine the facial expressions and details to convey the emotional intensity of the scene.

  7. step 07

    Pay attention to the edges of forms, softening some and sharpening others to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the drama and realism of the painting.

color palette

primary · raw umber · titanium white · ivory black

secondary · Prussian blue · cadmium red · yellow ochre

Achieve the skin tones by mixing titanium white, raw umber, and small amounts of cadmium red and yellow ochre. Use ivory black and Prussian blue to create the deep shadows. Glaze with thin layers of burnt sienna to add warmth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the anatomical accuracy of the figures.
  • →Creating flat, lifeless drapery.
  • →Not capturing the emotional intensity of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·Prussian blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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